His wordly life as Shree Kaakarla Tyaagabrahmam gaaru was a heavy hearted journey for him amidst the hostility poured in by his very own family members. Sometimes because of being unable to understand and sometimes because of being unable to withstand his higher order devotional oceanic journey that knows no bounds because of the unfathomable immeasurable greatness of the divine subject named "Swaraarnavam" / "The sea of music" blessed to him by none other than Shree Naarada Maharshi gaaru.
"Naaram dadaati iti naaradah" is the explanation for the sanskrit word "Naarada".... implies one who bestows knowledge pertaining to a given topic..
as explained by sathguru Shree Chaaganti gaaru in one of the pious discourses...
i.e.,
If Shree Tyaagabrahmam gaaru had been a great priest, say a senior Achaaryulu gaaru in a temple, Shree Naarada Maharshi gaaru would have blessed him with a subject named, say, 'Mantraarnavam'.
If Shree Tyaagabrahmam gaaru had been a great doctor, Shree Naarada Maharshi gaaru would have blessed him with a subject named say, 'Vaidyaarnavam'.
If Shree Tyaagabrahmam gaaru had been a great lawyer, say a senior Advocate in the apex court of India, Shree Naarada Maharshi gaaru would have blessed him with a subject named, say, 'Dharmaarnavam' (or 'Nyaayaarnavam' as applicable to today's modern times.)
If Shree Tyaagabrahmam gaaru had been a great poet, say a contemporary companion to Sahajakavi Shree Bammera Potana gaaru, or Aadikavi Shree Nannaya gaaru, or Shree Tikkana gaaru, or Shree Errana gaaru, and so on.., Shree Naarada Maharshi gaaru would have blessed him with a subject named, say, 'Padaarnavam'.
Shree Tyaagabrahmam gaaru was essentially a great saint singer that has transformed the mightiness of vaaggeyakaara vaibhawam prevailed
during his times into an unparalleled higher order esteemed spiritual journey that shall bless everyone involved in such a revered devotional singing saga inorder to know and be with the God's magnanimous inner peace realm and thus
was blessed with a subject named "Swaraarnavam", so that he can continue his elite spiritual musical social welfare journey in a much higher strata by rendering Sankeertanams filled with exquisite RaagaMaalikaSugandham applied to simple yet significantly magnanimous words filled with grace and bliss and that has naturally propelled him towards an inner engineering research spree that knew no bounds of whatsoever.....
For example, look at the below Sankeertana rendered in the most ecstatic "Chittaranjani" raagam (the name of the Raagam is self explanatory) that extols the Parameshwara Vaibhawam by praising him as the Naadatanum (implies the vyomavat vyaapta deaham) that nourishes the entire universe via the 7 / saptaswaras that are eternally emitted by the 5 primordial faces of the universal parameshwara viraat vishwa roopam... namely
Tatpurusha vadanam : Faces East
Sadyojaata vadanam : Faces West
Vaamadeva vadanam : Faces North
Aghora vadanam : Faces South
Eeshaana vadanam : Faces upwards towards the endless skies
ప. నాద తనుమనిశం శంకరం
నమామి మే మనసా శిరసా
అ. మోదకర నిగమోత్తమ సామ
వేద సారం వారం వారం (నా)
చ. సద్యోజాతాది పంచ వక్త్రజ
స-రి-గ-మ-ప-ధ-ని వర సప్త-స్వర
విద్యా లోలం విదళిత కాలం
విమల హృదయ త్యాగరాజ పాలం (నా)
http://thyagaraja-vaibhavam.blogspot.com/2007/09/thyagaraja-kriti-naada-tanumanisam-raga.html
After studying the above sankeertana, every higher order spiritual veteran shall have a query
about the other 2 swaras.
In one of my earlier posts long ago, I have explained the significance of "Sa Pa Sa" by connecting the Shadjamam to Jeevaatma and Panchamam to Paramaatma swaram and thus the other 5 / pancha swara vaibhawam is attributed to the parameshwara panchaasya vaibahwam as below....
Sa : Shadjamam : "Jeevaatma swaram"
Ri : Rishabham : Tatpurusha vadana janita swaram
Ga : Gaandhaaram : Aghora vadana janita swaram
Ma : Madhyamam : Vaamadeva vadana janita swaram
Pa : Panchamam : "Paramaata swaram"
Da : Daivatam : Sadyojaata vadana janita swaram
Ni : Nishaadam : Eeshaana vadana janita swaram
It is believed that the knowledge accrued and the wisdom gained in the past 7 fine grade lives is attained by a saadhaaka / upaasaka that immerses himself / herself in the mightiness of the unparalleled carNatik music vibes....,
thus sathguru Shree Tyaagaraaya gaaru has mentioned "vara sapta swara" instead of mere "sapta swara" in the charanam...
May the eternal divine blessings of sathguru Shree Tyaagaraaya gaaru enrich the lives of all the sober audience participating in the 2026 HTAMF / aaraadhanotsawaalu with higher order wisdom, knowledge, happiness, peace and prosperity for a fruitful life / lives ahead....🙂💐
May the holy lotus feet of goddess Shree RaajaRaajeshwaridevi decorated by the holy anklets filled with vibes of the 'Swaraarnava vidyaa vaibhwam' enrich the devotees abundantly when she walks towards the devotees to bless them with the same with her mystical smile and miraculous charm...
Om Shreemaatray Namaha...💐🙏
Sarvam Ratnagarbha Ganapathi sahita Shree RaajaRaajeshwari samayta Shree
RaajaRaajeshwara swamy Shreecharanaaravindaarpanamastu.....💐🙏
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